Women’s Representation in Sheila on 7 Song Lyrics: A Social Semiotic Analysis

Ririn Susetyaningsih(1*), Wiwik Retno Handayani(2)

(1) Universitas Negeri Yogyakarta
(2) Universitas Gadjah Mada
(*) Corresponding Author

Abstract


This research aims at revealing the terms depicting women and how they are represented in Sheila on 7’s song lyrics. The data in this qualitative study were in the form of song lyrics by Sheila on 7 associated with women, collected using document study, and analyzed using the descriptive interpretative method and semiotic approach by referring to three aspects of meaning by Roland Barthes: denotation meaning, connotation meaning, and myth. The findings show that the terms used to depict women’s representation contain positive and negative connotations, and some term references play a crucial role in portraying the terms used to depict women’s representation. Besides, women are represented differently in the song lyrics; however, in general, they tend to be depicted as a creature bringing the values of beauty, affection, obedience, tenderness, power, wisdom, importance, and comfort, but also passive and weak. Women’s representation in Sheila on 7 song lyrics is in line with the patriarchal society in Indonesia, where women are respected as a creature worthy of esteem who still need protection from men. Since patriarchal gender stereotype has become a part of the cultural and social environment, the language choice used in the song lyrics proves that the environment influences language.


Keywords


Women Representation; Sheila on 7; Song Lyrics; Semiotic Analysis; Social Study

Full Text:

PDF

References


Armstrong, N. (2005). Translation, linguistics, culture: A French-English handbook. Cromwell Press.

Barthes, R. (1977). Elements of semiology. Farrar, Straus, and Giroux.

Barthes, R. (2007). Membedah mitos-mitos budaya massa: Semiotika atau sosiologi tanda, simbol, dan representasi (Y. Iriantara & D. L. C. Subandy (eds.); I. Mahyuddin (trans.)). Jalasutra.

Beauvoir, S. de. (2016). Second sex: Fakta dan mitos (T. B. Febrianto (trans.)). Narasi.

Chandler, D. (2007). Semiotics: The basics (2nd ed.). Routledge.

Crenshaw, K. (1991). Mapping the margins: Intersectionality, identity politics, and violence against women of color. Stanford Law Review, 43(6), 1241–1299. https://doi.org/10.2307/1229039

Dewi, D. M. (2019). The representation of patriarchy in Indonesian children folk tales from Sumatra Island. Lingua Cultura, 13(3), 167–172. https://doi.org/10.21512/lc.v13i3.5646

Dewi, S., & Primasti, D. (2022). Perempuan, daster dan liyan: Domestifikasi perempuan dalam lagu “Mendung Tanpo Udan.” Jurnal Komunikasi Nusantara, 4(1), 45–53. https://doi.org/10.33366/jkn.v4i1.105

Hidayat, R. (2014). Analisis makna motivasi pada lirik lagu “Laskar Pelangi” karya Nidji. EJournal Ilmu Komunikasi, 2(1), 243–258. https://ejournal.ilkom.fisip-unmul.ac.id/site/?p=1254

Intentilia, A. A. M. (2020). Analyzing patriarchy, political participation, and active citizenship in ASEAN. Intermestic: Journal of International Studies, 5(1), 12–30. https://doi.org/10.24198/intermestic.v5n1.2

Juwita, R., Abiyyu, K. Y., Cintami, A. Z., Elysa, C., Putra, F. A., & Fitri, M. R. A. (2022). Makna motivasi dalam lagu Diri dari Tulus (Analisis semiotika Ferdinan De Saussure). Kaganga Komunika: Journal of Communication Science, 4(1), 1–11. https://doi.org/10.36761/kagangakomunika.v4i1.1918

Kurniawati, N. (2021). Representation of women power in Beyoncé Knowless’ song “Run The World (Girls).” E-Structural, 4(01), 68–79. https://doi.org/10.33633/es.v4i01.4747

Landmann, J. (2022). Terms of endearment in English. English Today, 38(4), 239–243. https://doi.org/10.1017/S0266078421000249

Lisara, A. (2014). The portrayal of women in Katy Perry’s selected song lyrics. Passage, 2(2), 61–68. https://ejournal.upi.edu/index.php/psg/article/view/21156

Mohanty, C. T. (1984). Under western eyes: Feminist scholarship and colonial discourses. Boundary 2, 12(3), 333–358. https://doi.org/10.2307/302821

Natha, G. (2017). Representasi stereotipe perempuan dan budaya patriarki dalam video klip Meghan Trainor “All About That Bass.” Jurnal E-Komunikasi, 5(2), 1–9. https://publication.petra.ac.id/index.php/ilmu-komunikasi/article/view/7073

Nurmila, N. (2018). Breaking patriarchal gender stereotype. Being a female rector of the Institut Seni Budaya Indonesia/ISBI Bandung, West Java, Indonesia. Kawalu: Journal of Local Culture, 5(2), 107–130. https://doi.org/10.32678/kawalu.v5i2.1885

Nurnaningsih, N. (2023). Patriarchal culture, sexual violence, and legal protection for women in Indonesia. Veteran Law Review, 6(Special Issue), 85–103. https://doi.org/10.35586/velrev.v6iSpecialIssues.5758

Olii, S. T. (2021). Defining the addressing terms in Indonesian language (A case study of Gorontalese). Jurnal Pendidikan Bahasa Inggris Undiksha, 9(1), 85–90. https://doi.org/10.23887/jpbi.v9i1.34718

Riyanto, A. (2018). Relasionalitas filsafat fondasi interpretasi: Aku, teks, liyan, dan fenomen. Kanisius.

Song, D. (2016). An observation of cultural and ideological impact on language behavior. Proceedings of the 2016 International Conference on Education, E-Learning and Management Technology, 639–643. https://doi.org/10.2991/iceemt-16.2016.123

Tateanna, N., & Sulistyani, H. D. (2023). Pemaknaan penggemar terhadap peran perempuan dalam lirik lagu “Guys Don’t Read Sylvia Plath.” Interaksi Online, 11(1), 707–719. https://ejournal3.undip.ac.id/index.php/interaksi-online/article/view/37663




DOI: http://dx.doi.org/10.30998/deiksis.v16i2.18035

Article Metrics

Metrics Loading ...

Metrics powered by PLOS ALM

Refbacks

  • There are currently no refbacks.


Copyright (c) 2024 Ririn Susetyaningsih, Wiwik Retno Handayani

Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 International License.

  Publisher:
Lembaga Penelitian dan Pengabdian Kepada Masyarakat Universitas Indraprasta PGRI

Address: Jl. Nangka No. 58 C (TB. Simatupang), Kel. Tanjung Barat, Kec. Jagakarsa, Jakarta Selatan 12530, Jakarta, Indonesia. 
Phone: +62 (021) 7818718 – 78835283 | Close in sunday and public holidays in Indonesia
Work Hours: 09.00 AM – 08.00 PM
Best hours to visit: From 9 am to 11 am or after 3 pm. The busiest times are between 11 am and 3 pm. 


  Creative Commons License
Deiksis is licensed under a Creative Commons Attribution 4.0 International License.